Micro Macro Board Game Art - The Perfectly Staged Crime - Interview with Johannes Sich
What's special about the concept? It's one big picture, but you can find the same character at multiple spots, doing different things at different moments in time.
Parks (2nd Edition) Board Game Art - Reimagining the Hit National Parks Game - Interview with Josh Emrich (Issue #72)
“Some connect with an illustration because it captures a personal experience, others are drawn to a particular animal, and some simply love the way the sky makes them feel…”
Confusing Lands Board Game - Combining Art & Game Design - Interview with Zak Eidsvoog (Issue #69)
“I got my first couple of board game clients after I did a self-directed fan redesign project where I made new art and graphic design for a game I really love..”
Kwanchai Moriya: Art in Board Games #58
I was turning 30 without a clear path, and absolutely buried in loans paid for private art school, and going through quite a bit in my personal life. I unsuccessfully applied for job after job on my college’s job board for anything art-related…
Jordi Roca: Art in Board Games #12
This project meant working on a game for the revered authors of War of the Ring, surely one of the best strategic games for two players that exists and a massively popular best-seller. For David and I, it was a challenge to accept and live up to the demands of this project..
Flamme Rouge - Ossi Hiekkala: Art in Board Games #11
When I was asked if I would like to make illustrations for a bicycle racing game, it didn’t take me more that half a second to say ”YES!”. As a road bicycling enthusiast the subject was more than pleasing, but when I playtested it, I was thrilled. It really was a game..
Roland MacDonald: Art in Board Games #10
A project always starts with research. First broadly, everything to do with the theme. Then narrowing down to the different elements required for the illustrations. I make a new Pinterest board for each project and look at as many different approaches and sources as possible to get away from the obvious.
Ryan Goldsberry: Art in Board Games #9
The biggest issue with Fugitive was the amount of art that was needed. The cards are numbered (0 - 42) and we decided that each card would be unique and that if you laid the cards all out in order, you could see a story and a chase taking place...
Atha Kanaani: Art in Board Games #8
[..] it was my first “big” board. There was some art already done and I had to respect the style by making mine very similar. When you don’t have a lot of experience, it’s a little bit scary because the board is the part where players are going to live their adventure..
Pierô: Art in Board Games #7
This project should have been the best moment in my career. I was working with only friends (game designers and publishers) on a very fun and original game. Everything was supposed to be cool. Unfortunately, I’ve realised since then that it’s always when I think it will be cool and quick that it’s a painful and slow process..